THE ARCHIBALD PRIZE
The Archibald Prize is regarded as the most important portraiture prize in Australia. It was first awarded in 1921 after a bequest from J. F. Archibald, the editor of The Bulletin who died in 1919. It is administered by the trustees of the Art Gallery of New South Wales and awarded for "the best portrait, preferentially of some man or woman distinguished in Art, Letters, Science or Politics, painted by an artist resident in Australia during the twelve months preceding the date fixed by the trustees for sending in the pictures." The Archibald Prize is awarded annually and as of September 2011, the prize is A$75,000.
History
he first prize awarded in 1921 was £400. In the early years of the Archibald Prize, the winner was dominated by Victorians, such as William Beckwith McInnes, John Longstaff, and William Dargie, which was somewhat resented by the art community in Sydney.
In 1942, Dargie won the prize with a painting that he had done as an official war artist during World War II in Syria. The ship carrying the painting back to Australia sank and the canvas was underwater for some time.
1946 was the first year in which the trustees selected works for entry, rather than displaying all those entered. Less than a third of the entries were chosen for exhibition.
Another notable winner is the 1956 portrait of Australia's celebrated Aboriginal painter Albert Namatjira, by William Dargie. The portrait was done while the sitter was visiting Sydney from the Central Desert. In 1956 the Archibald prize money was $1,364.
In 1964 and 1980, the trustees decided not to award the prize to anyone, deeming that no work was at the required standard.
There are usually about 700 entries in the Archibald Prize, of which only about 40 or so are selected as finalists for hanging. Only one entry is allowed per person each year. Some of the winning artists have had to enter for many years before they were hung.
Controversy
The prize has historically attracted a good deal of controversy and several court cases; the most famous was in 1943 when William Dobell's winning painting of Joshua Smith was challenged because of claims it was a caricature rather than a portrait.
The Archibald is one of the few art prizes in which the artist's signature is covered up so as not to be seen by the judges during initial selection for the final. Given the small size of Australia's art community, this is intended to discourage nepotism on the part of judges (several of whom are artists and several of whom have no arts qualifications at all) simply selecting their friends' works rather than making selections based on merit.
Max Meldrum criticised the Archibald Prize winner in 1938, saying that women could not be expected to paint as well as men. Nora Heysen was the first woman to win the Archibald Prize, with a portrait of Madame Elink Schuurman, the wife of the Consul General for the Netherlands.
In 1953 several art students including John Olsen protested William Dargie's winning portrait, the seventh time he had been awarded the prize. One protester tied a sign around her dog which said "Winner Archibald Prize – William Doggie". Dargie went on to win the prize again in 1956.
The Hon E G Whitlam (1972) by Clifton Pugh. After Prime Minister Gough Whitlam was dismissed he refused to sit for the traditional portrait which is done of Australian Prime Ministers, and instructed that the 1972 Archibald Prize winning portrait by Clifton Pugh be used instead. This is now hanging at New Parliament House in Canberra.
In 1975, John Bloomfield's portrait of Tim Burstall was disqualified on the grounds that it had been painted from a blown up photograph, rather than from life. The prize was then awarded to Kevin Connor. Later, legal action was threatened by John Bloomfield in 1981, claiming that the winner that year, Eric Smith had not painted his subject from life. In 1983 John Bloomfield sued for the return of the 1975 prize which was unsuccessful. In 1995 the application form of the Archibald Prize was modified based on this to make clear that the subject must be painted from life.
In 1985, administration of the trust was transferred to the Art Gallery of New South Wales, after a court case where the Perpetual Trustee Company took the Australian Journalists Association Benevolent Fund to court.
In 1997 the painting of the Bananas in Pyjamas television characters by Evert Ploeg was deemed ineligible by the trustees because it was not a painting of a person. Although this was an incident which was seized upon by the media, hundreds of portraits each year are not accepted as finalists.
Another controversy involved the 2000 Archibald winner, when artist Adam Cullen lodged a complaint with the American Broadcasting Company who had used his painting, Portrait of David Wenham, in a television commercial.
In 2002, head packer Steve Peters singled out a painting of himself by Dave Machin as a possible winner for the Packing Room Prize. It did not win, but it was hung outside the Archibald exhibition. Following this, portraits of the head packer were no longer allowed.
In 2004 Craig Ruddy's image of David Gulpilil, which won both the main prize and the "People's Choice" award, was challenged on the basis that it was a charcoal sketch rather than a painting. The claim was dismissed in the Supreme Court in June 2006.
In 2008 Sam Leach's image of himself as Hitler made the front page of Melbourne's newspaper The Age and sparked a national debate about the appropriateness of his choice of subject matter. The prize money was also changed to $50 000.
Additional categories
Since 1935 there have been two extra categories added to the Archibald prize event. Both are more likely than the main prize to award the portrait of a celebrity. In 1991 the Packing Room Prize was established, in which the staff who receive the portraits and install them in the gallery, vote for their choice of winner. Although the prize is said to be awarded by the staff, the gallery's head storeman – as of 2011, Steve Peters – holds 51% of the vote. The other category is the People's Choice Award in which votes from the viewing public are collected to find a winner. This award also comes with a monetary prize of $2,500. To date, there has never been a matching Archibald Prize winner and a Packing Room Prize chosen in the same year, but there were two People's Choice Awards given to Archibald Prize winners in 1988 and 2004.
Twice there has been a matching Packing Prize winner and People's Choice Award (neither won the main prize), to Paul Newton's portrait of Roy Slaven and HG Nelson in 2001, and to Jan Williamson's portrait of singer/songwriter Jenny Morris the following year in 2002.
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In 1942, Dargie won the prize with a painting that he had done as an official war artist during World War II in Syria. The ship carrying the painting back to Australia sank and the canvas was underwater for some time.
1946 was the first year in which the trustees selected works for entry, rather than displaying all those entered. Less than a third of the entries were chosen for exhibition.
Another notable winner is the 1956 portrait of Australia's celebrated Aboriginal painter Albert Namatjira, by William Dargie. The portrait was done while the sitter was visiting Sydney from the Central Desert. In 1956 the Archibald prize money was $1,364.
In 1964 and 1980, the trustees decided not to award the prize to anyone, deeming that no work was at the required standard.
There are usually about 700 entries in the Archibald Prize, of which only about 40 or so are selected as finalists for hanging. Only one entry is allowed per person each year. Some of the winning artists have had to enter for many years before they were hung.
Controversy
The prize has historically attracted a good deal of controversy and several court cases; the most famous was in 1943 when William Dobell's winning painting of Joshua Smith was challenged because of claims it was a caricature rather than a portrait.
The Archibald is one of the few art prizes in which the artist's signature is covered up so as not to be seen by the judges during initial selection for the final. Given the small size of Australia's art community, this is intended to discourage nepotism on the part of judges (several of whom are artists and several of whom have no arts qualifications at all) simply selecting their friends' works rather than making selections based on merit.
Max Meldrum criticised the Archibald Prize winner in 1938, saying that women could not be expected to paint as well as men. Nora Heysen was the first woman to win the Archibald Prize, with a portrait of Madame Elink Schuurman, the wife of the Consul General for the Netherlands.
In 1953 several art students including John Olsen protested William Dargie's winning portrait, the seventh time he had been awarded the prize. One protester tied a sign around her dog which said "Winner Archibald Prize – William Doggie". Dargie went on to win the prize again in 1956.
The Hon E G Whitlam (1972) by Clifton Pugh. After Prime Minister Gough Whitlam was dismissed he refused to sit for the traditional portrait which is done of Australian Prime Ministers, and instructed that the 1972 Archibald Prize winning portrait by Clifton Pugh be used instead. This is now hanging at New Parliament House in Canberra.
In 1975, John Bloomfield's portrait of Tim Burstall was disqualified on the grounds that it had been painted from a blown up photograph, rather than from life. The prize was then awarded to Kevin Connor. Later, legal action was threatened by John Bloomfield in 1981, claiming that the winner that year, Eric Smith had not painted his subject from life. In 1983 John Bloomfield sued for the return of the 1975 prize which was unsuccessful. In 1995 the application form of the Archibald Prize was modified based on this to make clear that the subject must be painted from life.
In 1985, administration of the trust was transferred to the Art Gallery of New South Wales, after a court case where the Perpetual Trustee Company took the Australian Journalists Association Benevolent Fund to court.
In 1997 the painting of the Bananas in Pyjamas television characters by Evert Ploeg was deemed ineligible by the trustees because it was not a painting of a person. Although this was an incident which was seized upon by the media, hundreds of portraits each year are not accepted as finalists.
Another controversy involved the 2000 Archibald winner, when artist Adam Cullen lodged a complaint with the American Broadcasting Company who had used his painting, Portrait of David Wenham, in a television commercial.
In 2002, head packer Steve Peters singled out a painting of himself by Dave Machin as a possible winner for the Packing Room Prize. It did not win, but it was hung outside the Archibald exhibition. Following this, portraits of the head packer were no longer allowed.
In 2004 Craig Ruddy's image of David Gulpilil, which won both the main prize and the "People's Choice" award, was challenged on the basis that it was a charcoal sketch rather than a painting. The claim was dismissed in the Supreme Court in June 2006.
In 2008 Sam Leach's image of himself as Hitler made the front page of Melbourne's newspaper The Age and sparked a national debate about the appropriateness of his choice of subject matter. The prize money was also changed to $50 000.
Additional categories
Since 1935 there have been two extra categories added to the Archibald prize event. Both are more likely than the main prize to award the portrait of a celebrity. In 1991 the Packing Room Prize was established, in which the staff who receive the portraits and install them in the gallery, vote for their choice of winner. Although the prize is said to be awarded by the staff, the gallery's head storeman – as of 2011, Steve Peters – holds 51% of the vote. The other category is the People's Choice Award in which votes from the viewing public are collected to find a winner. This award also comes with a monetary prize of $2,500. To date, there has never been a matching Archibald Prize winner and a Packing Room Prize chosen in the same year, but there were two People's Choice Awards given to Archibald Prize winners in 1988 and 2004.
Twice there has been a matching Packing Prize winner and People's Choice Award (neither won the main prize), to Paul Newton's portrait of Roy Slaven and HG Nelson in 2001, and to Jan Williamson's portrait of singer/songwriter Jenny Morris the following year in 2002.
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